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      <image:title>News - Timea's book about Math and Ceramic 3D printing is out</image:title>
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  <url>
    <loc>https://www.timeatihanyi.com/sculptures</loc>
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    <lastmod>2025-12-31</lastmod>
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      <image:title>Sculptures - FLUID EXCHANGE</image:title>
      <image:caption>installation at SOIL Gallery, 2004 The exhibition was a result of a collaboration of ideas with Jodi Rockwell. The mattress as a familiar yet unexplored object provided us with the common ground. Deconstructing its conceptual implications, autobiographical and emotional meaning, as well as its very structure, we arrived at forms that still represent the body. We considered the mattress as both a personal, private space and as a receptacle like the body itself; absorbing, holding, filtering and excreting fluids.</image:caption>
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    <image:image>
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      <image:title>Sculptures</image:title>
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    <image:image>
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      <image:title>Sculptures</image:title>
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    <image:image>
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      <image:title>Sculptures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1484965584262-FG06U6U6RF7D4V7EGX2H/house_of_reason_detail.jpg</image:loc>
      <image:title>Sculptures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1484965714044-B2AXL8J099D0H2I1F0DE/plato3.jpg</image:loc>
      <image:title>Sculptures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1484965794441-QTZMGE3Q4OBG3TTHOUHY/DSC_0013.jpg</image:loc>
      <image:title>Sculptures</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1599782412789-3JY1VRVB5JEQNW3TDO9D/Timea_Tihanyi_Counter-Part_8.jpg</image:loc>
      <image:title>Sculptures - CrossRoads (blue series)</image:title>
      <image:caption>Vessel Sculptures. 2020. 3D printed porcelain, ceramic pigments and glaze 9.5”x10”x10”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1599779758937-W9S9HT4ZE72BAHOQUY13/Timea_Tihanyi_Counter-Part_33.jpg</image:loc>
      <image:title>Sculptures - Tulipán Világom (My Tulip World)</image:title>
      <image:caption>3D printed and altered porcelain sculptures, pigments and glaze. 2020 In the exhibition Counter—Part</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1583778461447-9PSVB8P5U72TNX2O3E7G/TimeaTihanyi_Feb2020-sm_19.JPG</image:loc>
      <image:title>Sculptures - We. The. People.</image:title>
      <image:caption>3D printed and handbuilt porcelain. 2020</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1575425000231-VS4JIJOL0VCWTV1G3YU8/Timea_Tihanyi_GoldenMeans_Install1_9.jpg</image:loc>
      <image:title>Sculptures - Golden Means</image:title>
      <image:caption>3d printed porcelain, glaze, 24 carat gold, 9.5”x8”x8”, 2019 Installation at Linda Hodges Gallery, Seattle CAD design in Rhinoceros, Python gcode hacking using sound data. Referencing the Japanese art of Kintsugi, also known as Kintsukuroi (golden repair), the gold leaf accentuates those locations where the digital algorithm slips or fails, and material reality and the human hand takes over.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1575425609055-QR47EE3TIGPRSPSABD8R/02_Timea_Tihanyi_Burst_and_Follow2.JPG</image:loc>
      <image:title>Sculptures - Burst and Follow</image:title>
      <image:caption>Series based on the Elementary Cellular Automata. 3D printed porcelain. 11”x8'“x8”. 2018 CoCalc coding in collaboration with Professor Sara Billey of UW Math.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1583777434026-9JFS43UP75GMEKWQKY5X/Timea_Tihanyi_plateaus_small_4.jpg</image:loc>
      <image:title>Sculptures - Plateaus</image:title>
      <image:caption>Interactive installation with 3D printed and slip-cast porcelain, glaze, gold glaze. 54”x30”x30”, 2019 This interactive landscape invites participants to rearrange the stacks. The process recalls a mathematical sandpile model, used to predict large scale events in complex systems, such as landslides.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1524854635367-P17EFTIXQYXDYWDRRNU1/glass_April_2018_web_24.JPG</image:loc>
      <image:title>Sculptures - Still / Here</image:title>
      <image:caption>Handblown glass, 22”x15”x15” 2018 Made during a 2018 residency at Museum of Glass, Tacoma devising processes to combine 3D printed porcelain, mold and handblown glass.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1520302721214-ZT2O9TM0SNSFY7ZBR7E0/SlipRAbbit_WINFeb2018_web_26.JPG</image:loc>
      <image:title>Sculptures - Vessel for Father</image:title>
      <image:caption>3D printed porcelain and gold glaze, 15"x10"x10", 2018 Handbuilt, constructed from 3D printed parts. All 3D printing work on this page is created at Slip Rabbit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1599783898669-3DOJU2D2UE0PT7UPUHIB/Timea_Tihanyi_GrownTogether_05.jpg</image:loc>
      <image:title>Sculptures - Grown Together</image:title>
      <image:caption>3D printed and slipcast porcelain, ceramic pigments, glaze, fire bricks, acrylic 58”x18”x18”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1646527960342-9USFGP9JE5BKYD6J51S1/TimeaTihanyi_ObjectPermanence_detail.jpg</image:loc>
      <image:title>Sculptures - Object Permanence</image:title>
      <image:caption>3D printed porcelain, digital wallpaper, vinyl, light, dead plants, utility marker paint, single and double channel videos. The sculptures in this series serve as Memory Memorials, contained in isolation in shipping crates. Created for the installation Object Permanence at the Bellevue Arts Museum 2022. Photography: Mark Woods and Timea Tihanyi</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1688608297725-P15FWYLR5ZEH5FZ147FE/Timea_Tihanyi_Tender_72DPI_06_27_2023_21.jpg</image:loc>
      <image:title>Sculptures - Probity</image:title>
      <image:caption>Porcelain 13”x18”x18” 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1767144745455-SE62IVZLNHIKE60STANK/Timea_Tihanyi_Interiorizing_72DPI_35.jpg</image:loc>
      <image:title>Sculptures</image:title>
      <image:caption>Porcelain sculptures generated in the interactive Touching Space Virtual Reality project. 3D printed in porcelain and colored porcelain at MakerHouse Santa Barbara. Installed in the exhibition, Interiorizing. November 6 - December 23, 2025 Greg Kucera Gallery, Seattle.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1767145166728-04RN9ZAW3BTMCF67WOVX/Timea_Tihanyi_Interiorizing_72DPI_5.jpg</image:loc>
      <image:title>Sculptures - The Stupads</image:title>
      <image:caption>Stupads are small, handheld objects resembling flower buds, ancient stupas, and reliquary. They are figurative, though entirely of digital origin. Meant to be companions, filling a ritualistic spiritual role in the daily process of one’s life. Their bulbous forms appear almost ready to open, to reveal, yet they also securely guard a secret content like vessels. They exist, mystically, at the intersection of the algorithmic and the other-than-logical. Each Stupad has a vertical hollow shaft running through its core. This is a portal, a passageway, a breath-channel. It is a reminder of both emptiness and fullness, and the relationship of those two, which makes them forever intertwined. The audio guide, which gathers seventeen rituals with Stupads for daily practice, is available upon request. Stupad rituals are imagined, yet inadvertently re-synthetized from practices both ancient and futuristic, real and fictitious. Rituals accompany major life events and mark the passage of time. They meander back and forth between past, present and future, combining incredulous questioning, embodied introspection, magical thinking, and blind hope into aspirational thought. Held in the hand, Stupads are nothing more than digital echoes of an interiorized space, created in Touching Space, a virtual reality environment I completed with the help of computer scientist Zoe Kaputa in 2024.  Despite being bright and colorful, Stupads are playful gestures with a serious inquiry at their core. I see them as bodies in rest and in action, flesh and mind in a flux seeking points of anchor. Installed in the exhibition Interiorizing at Greg Kucera Gallery, Seattle, 2025.</image:caption>
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  <url>
    <loc>https://www.timeatihanyi.com/spaces</loc>
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    <lastmod>2023-04-24</lastmod>
    <image:image>
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      <image:title>Spaces</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1461298870306-LB6E90QG2U5JSTE8WES3/axioms02.jpg</image:loc>
      <image:title>Spaces - PARLOR GAMES: AXIOMS</image:title>
      <image:caption>installation at Largo das Artes, Rio de Janiro, 2015 synthetic netting, synthetic hair extensions, natural rubber, tar, asphalt, white ceramic tiles, wooden boxes, "ruby crystal" plastic plates, porcelain cup, projected digital drawing animation, printed digital photograph, soil, palm and jackfruit seedlings</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1461368450666-JS0ITFT3EU1V5O1L7GZU/DSC_0078.jpg</image:loc>
      <image:title>Spaces - IN TRANSIT</image:title>
      <image:caption>Sou uma passageira. Tô em trânsito. (I’m a passenger. I’m in transit.) video installation at Largo das Artes, Rio de Janeiro projected video and cut gold leather, 2015</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1461525731747-UZB1D49GPVN1MH8BD0CP/seeing_ghosts.jpg</image:loc>
      <image:title>Spaces - OUTSIDE IN , INSIDE OUT</image:title>
      <image:caption>outside in, inside out: seeing ghosts / will you come to visit me tomorrow again? installation at the Pratt Gallery, TK Building, Seattle, 2008 handmade abaca paper, reused cut bed sheets, clotheslines, pins and lights</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1461525874308-XFN5CME6D4LU8XF7NYV0/casualities.jpg</image:loc>
      <image:title>Spaces - CASUALTIES OF PEACE AND WAR</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1461526090146-KAJOC2CASTGHPOEJOUFA/uniter_full.jpg</image:loc>
      <image:title>Spaces - I'M A UNITER, NOT A DIVIDER</image:title>
      <image:caption>installation at Bellevue Community College, 2007 synthetic felt, thread</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1461524596567-7I4LKKPF9HWBRYQNOOF1/new_EKWC_Installation_experiments.jpg</image:loc>
      <image:title>Spaces - EXPERIMENTS IN BEING LOST</image:title>
      <image:caption>roof installation at EKWC, 's Hertogenbosch, the Netherlands, 2009 slipcast and carved vitreous bone china, water More about this project on my blog, the peripatetic nomad: http://timeatihanyi.blogspot.com/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1461089460716-QJLYOKJODUETNRXXO7ZR/Installation_362.jpg</image:loc>
      <image:title>Spaces - THE UNEXPECTED MOMENTUM OF SMALL THINGS</image:title>
      <image:caption>the unexpected momentum of small things in a space occupied by other small (and relatively large) objects installation at Gallery 4Culture, Seattle landscape of felt and handmade abaca paper, sewn and cut felt fence and signage, motion sensor activated video projection and sound, 2008  </image:caption>
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      <image:title>Spaces</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/56e6f792ab48de6352f40d43/1502149486174-1ENERB3T4BNHX8I2VYM6/Timea_Tihanyi_swing_sway_4.jpg</image:loc>
      <image:title>Spaces - Swing to Me and I Sway for You</image:title>
      <image:caption>Presented in the exhibition Like Love at The Base, Seattle, 2017 Installation with sewn and cut felt and vintage family heirloom damask tablecloth, fired and unfired porcelain, steel cables, and pulleys.</image:caption>
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      <image:title>Spaces - PARLOR GAMES: SCIENTIA</image:title>
      <image:caption>installation, Linda Hodges Gallery, Seattle 2017 3D designed/prototyped mathematical objects in slipcast bone china (collaboration with Prof. Henry Segerman, Oklahoma State University), a 155-volume bone china library, slipcast bone china arrows, slipcast bone china ceremonial target birds (collaboration with Gilde Sint Sebastiaan, Oisterwijk), tables made of salvaged art crates and pedestals, chalkboard drawings, two single channel videos, and a catalogue of fictional book reviews contributed by participants. Ceramics pieces were made by CAD/CAM prototyping and slipcasting of bone china during 2016 Artist Residency at Sundaymorning@EKWC in Oisterwijk, Netherlands.</image:caption>
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      <image:title>Spaces</image:title>
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      <image:title>Spaces - Object Permanence</image:title>
      <image:caption>Site-specific installation at the Bellevue Arts Museum. January 21 - May 29, 2022 Installation concept and structure is in collaboration with Sylwia Tur. Each artist responded to the title, Object Permanence, with an individual body of work developed in ceramics. Photography: Mark Woods More about this exhibition in Memory Memorial My gratitude to the following persons and organizations whose support made this work possible: Matild Oláh Tóth, Sándor Kovács, Wanna Huang, Flyn O’Brian, John Martin, Irene Holroyd, Centrum, Port Townsend, Robert B. McMillen Foundation Artist Fellowships, Kreielsheimer Faculty Research Award, University of Washington, Clay Art Center, Tacoma, Illuxion, Koerner Camera Systems</image:caption>
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      <image:title>Spaces - Like Love</image:title>
      <image:caption>Installation in the The Middle Seat Series at Das Schaufenster Gallery. July 1- August 31, 2022 Deconstructed vintage damask tablecloth, felt, thread, 3D printed high-fired porcelain and unfired porcelain, steel cables and pulleys. “Creating a window facing homeward,” The Middle Seat, curated by Anastasia Babenko and Anna Mlasowsky, centers on the immigrant experience of Eastern European artists.</image:caption>
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      <image:caption>Installation at the MAC Gallery, Wenatchee Valley College, Washington. April 7 through May 19, 2023 3D printed porcelain, recycled woven polyethylene, steel, acrylic, preserved thistle, single channel video, colored lights. 3D Walk-through of the exhibition. Exhibition was supported in part by Wyckoff Milliman Award, University of Washington.</image:caption>
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      <image:title>Interactions - SCIENTIA LIBRARY PROJECT</image:title>
      <image:caption>participatory writing project, 2017 accompanying scientia library, a 155-volume collection of bone china books with fictional and real titles drawn from art, math, neuroscience, and philosophy</image:caption>
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      <image:title>Interactions - PALAVRAS BRAZIL</image:title>
      <image:caption>palavras: give a word. have a word. (brazil) participatory artwork, 2015 Palavras is a participatory word exchange that started in Rio de Janeiro and has been performed multiple times in Cabo Frio, Brazil and in Seattle, United States.  More information about this work is here.</image:caption>
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      <image:title>Interactions - PALAVRAS SEATTLE</image:title>
      <image:caption>palavras: give a word. have a word. (seattle) public art and participatory artwork, Seattle Center, 2015</image:caption>
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    <image:image>
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      <image:title>Interactions - BORNHOLM PROJECT</image:title>
      <image:caption>what is beauty if not the uncontainable held for a brief moment? 79 inkjet print photographs of public intervention installation at SOIL Gallery, Seattle, 2010    </image:caption>
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      <image:title>Interactions - Ringató  (Cradled)</image:title>
      <image:caption>A Technohaptic Project for Porcelain, a Potterbot7 ceramic 3Dprinter and Participants Participants: Xun Cao, Erica Lee, Kayla Lee, Timea Tihanyi, Veloria Zhu 朱哲恬 Video: Rollofall</image:caption>
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      <image:title>Interactions - ListeningCups</image:title>
      <image:caption>Data-tactility object. 3D printed porcelain. 2018 Ongoing research collaboration with Audrey Desjardins. Set of porcelain cups using tactilized sound volume data, which is continuously gathered from various environments. Gcode written in Excel and Sublime Text. 3D printed on Potterbot7 at Slip Rabbit Studio.</image:caption>
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      <image:title>Interactions - The Inner Ear</image:title>
      <image:caption>Data tactility project. Collaboration with Audrey Desjardins. Additional technical assistance from Blair Subbaraman and UW students participating in the 2022-23 Design Research group. Inner Ear is a porcelain device that both captures home vibration data and and represents it in the form of textures in 3D printed porcelain. This novel project calls attention to the unseen data collection by IoT devices and puts the participant in charge of when and how they collect and interpret their own data. The collector device transforms into a sculptural object with the addition of the data rings, which represent unique moments, events, and locations. More about this project: https://www.studiotilt.design/inner-ear Publications: Audrey Desjardins, Timea Tihanyi, Freesoul El Shabazz-Thompson, Brock Craft, Julia R. Saimo. (2023). The Inner Ear: Capturing and Physicalizing Home Vibrations. In Proceedings of Designing Interactive Systems. DIS’23. ACM Press.</image:caption>
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      <image:title>Interactions - Touching Space</image:title>
      <image:caption>Interactive touch-based Virtual Reality (VR) environment created for Meta Quest2. 2023-24 VR coding collaboration with Zoe Kaputa. Additional VR research support by Emi Yoshikawa, Joanie Foley, Madrona Kelly Maling, and John Akers. Generous support by Kreisheimel-Jones Research Grant, University of Washington. Participants, wearing Quest2 headsets, enter a virtual space that is both architectural and visceral. Through hand gestures, they are able to shape the walls of the space using a form of virtual touch. The walls shiver, heave, and change shape as the hands nudge them. The experience feels both haptic and kinetic. Participants can choose to capture the 3-dimensional shape of this virtual space in the VR set at the precise moment of their choosing. The digitally touched space-forms are printed in porcelain on ceramic 3D printers. See Corpus to Corpus for more.</image:caption>
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      <image:caption>Imagine your mind as a room… What does it look like? What will you invite in there? What will you build?</image:caption>
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      <image:caption>to find a Timea’s book on ceramic 3D printing and a selection of 3D printed, limited-edition porcelain pieces and functional designs developed for Slip Rabbit Studio.</image:caption>
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